AIKIDO
Aikido was developed from the existing arts of Aiki Jitsu and Ju Jitsu by Master Morihei Ueshiba a student of Sokaku Takeda and the name Aikido was first registered by Minoru Hirais at the Japanese Budokai in 1942. Aikido is often described by those who know no better as the art of dancing or as a "soft" Art. Aikido is taught to all students as a powerful, forceful Martial Art as expounded by the late Gozo Shioda and as taught originally by Master Ueshiba himself. However, the softer flowing style is also taught so that co-ordination of mind and body are constantly exercised. When performed correctly Aikido techniques require no great physical strength. A technique that is forced or awkward is not true Aikido. The fundamental principal of Aikido is to be so ‘in line' with the opponent that one can sense his intentions and be able to take advantage of his movements. Repeated practice of the basic movements is essential to develop this harmony. Contest, which leads to superiority and defeatist complexes, is avoided in the study of Aikido. The techniques are safely assimilated in exercise form in co-operation with a partner until they become a reflex action. Although Aikido is normally practiced in a repetitive form this does not mean the movement is ‘dead', on the contrary each repetition must be effective. Though Aikido differs from other sports in that it goes beyond the concepts of victory and defeat, the object of controlling the opponent and gaining superiority must not be forgotten. The style of Aikido taught in most of the fraternity retains many aspects of the combat methods of Aiki Jitsu, but also develops the spiritual side and the "Ki" element. Ki however is just that, an element, which along with power is needed for success within the Arts Because t he art of Aikido is based on non-resistance it makes a very useable form of self-defence for women. The strength of one's opponent is of no consequence if one has learnt the movement and techniques correctly. One does not oppose strength with strength, but leads an opponent in the direction required to perform the chosen technique
